Dated Released : 31 May 2013
Quality : EXTENDED BRRip 720p
Info : imdb.com/title/tt1670345
IMDB Rating : 7.4 (74,830 users)
Star : Jesse Eisenberg, Mark Ruffalo, Woody H
Genre : Crime | Thriller
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By: instmovies.blogspot.com
REVIEWS :
Louis Leterrier’s directorial debut, "The Transporter," was the show that established Jason Statham as Associate in Nursing action star. it had been additionally a very important early hit for EuropaCorp, the French studio that kickstarted the careers of Pierre mushroom ("Taken"), Laurence Olivier Megaton ("Colombiana," "Taken 2"), and actor / director Guillame Canet ("Tell No One"). when helming 2 additional movies for EuropaCorp — "Unleashed" and "Transporter 2" — Leterrier decamped to Hollywood, wherever he finished up directional the leaden, mega-budgeted movies "The unimaginable Hulk" and "Clash of the Titans," the latter of that he has since unacknowledged.
Leterrier’s new film, "Now You See Maine," is in some ways in which a come to his roots. Like his 2 "Transporter" movies, it’s light-weight on seriousness and serious on vogue — a razzmatazz fantasy a few team of bank-robbing illusionists. It’s slick, deliberately silly, and wet with visual paper — Steadicam spins, lens flares, CGI trick shots.
The show opens by introducing the four leads: a assertive street magician (Jesse Eisenberg); his former assistant (Isla Fisher), whose solo act focuses on gory stunts; a once-famous mentalist (Woody Harrelson) who's been reduced to victimisation cold reading and psychological state to shake down individuals for cash; and a sleight-of-hand creator (Dave full general, brother of James) WHO moonlights as a dip. A hoodie-wearing trespasser slips every of them a tarot inscribed with a date and a replacement House of York address.
Flash forward to city a year later, wherever the four currently perform as a headlining act referred to as the Four Horsemen. for his or her massive finale, they gift a sophisticated illusion wherever a random audience member seems to be teleported into the vault of his bank. The audience member is told to show on the vault's mechanical system, that sucks up a palette of Euros; a couple of seconds later, the bills rain over the audience. the gang goes wild.
The next day, the magicians ar brought sure questioning by the FBI; it looks the audience member's bank has been robbed, and a prop utilized in the magic act has been found at the scene. Soon, the magicians ar being investigated by a ugly agent (Mark Ruffalo) Associate in Nursingd an Interpol detective (Mélanie Laurent); they grasp the Four Horsemen ar concerned within the crime, however cannot understand however.
Also on the Four Horsemen's path could be a self-satisfied ex-magician (Morgan Freeman) WHO has created a fortune revealing the secrets behind well-known illusions. citizen will build the clunkiest exposition sound smart (see: Christopher Nolan's attendant movies, or the recent "Oblivion"); for the foremost half, that is what he is here to try to to. Turning citizen into the movie's factual on-camera utterer is "Now You See Me"'s neatest trick, particularly since abundant of the movie's third act revolves around tweaking his omniscient screen persona.
There is, of course, rationalization|an evidence|a proof} for the heist — and it's not "magic" — however aforesaid explanation does not such a lot strain credibleness as negate it. "Now You See Me" is with pride outlandish; the Four Horsemen's ways — that involve large mirrors, doubles, hypnosis, copious amounts of flash paper, and, uh, holograms — ar as logic-defying as their tricks. Had the show finished by merely revealing that the four were wizards, it might be additional plausible.
That, however, would not be as fun. abundant of what makes "Now You See Me" thus fun — during a gaudy, disposable, Vegas act form of means — is its ever-escalating absurdness. when the bank job, the Four Horsemen persist a series on ever-more-complicated heists, that flip them into fugitives and people heroes. The movie, that began as "just" a bank-robbing magician story, eventually becomes a narrative Reuben Lucius Goldberg contraption; conspiracies, secret identities, decades-old vendettas, and occult brotherhoods ar concerned.
The last half of the show is effectively one long, prolonged chase, with Ruffalo and Laurent invariably a couple of steps behind the Four Horsemen. It's here that Leterrier looks to actually be in his element; a protracted fight scene wherever full general fends off law enforcement agency agents victimisation throwing cards and sleight-of-hand tricks is as flower and kinetic as something in "The Transporter."
Like the EuropaCorp movies that started Leterrier's career, "Now You See Me" emphasizes photography over concerning everything else, together with narrative sense. Unusually, it's 2 administrators of photography, each of whom ar specialists in flashy, special-effects-ready extravagance: Mitchell Roald Amundsen ("Transformers," "Wanted") and Larry Fong ("Super eight," additionally because the Zack Snyder movies "300," "Watchmen" and "Sucker Punch").
Just as unco — a minimum of for Associate in Nursing effects-heavy production — it's shot on celluloid with anamorphic lenses. this provides the show a retro visual texture and a additional classical sense of widescreen space; the trade-off is that the digital effects look less convincing than they'd during a digitally-shot show. However, during a film wherever nothing is meant to be credible, mediocre CGI looks acceptable. It’s not meant to appear realistic, thus why ought to it look real?
Leterrier’s new film, "Now You See Maine," is in some ways in which a come to his roots. Like his 2 "Transporter" movies, it’s light-weight on seriousness and serious on vogue — a razzmatazz fantasy a few team of bank-robbing illusionists. It’s slick, deliberately silly, and wet with visual paper — Steadicam spins, lens flares, CGI trick shots.
The show opens by introducing the four leads: a assertive street magician (Jesse Eisenberg); his former assistant (Isla Fisher), whose solo act focuses on gory stunts; a once-famous mentalist (Woody Harrelson) who's been reduced to victimisation cold reading and psychological state to shake down individuals for cash; and a sleight-of-hand creator (Dave full general, brother of James) WHO moonlights as a dip. A hoodie-wearing trespasser slips every of them a tarot inscribed with a date and a replacement House of York address.
Flash forward to city a year later, wherever the four currently perform as a headlining act referred to as the Four Horsemen. for his or her massive finale, they gift a sophisticated illusion wherever a random audience member seems to be teleported into the vault of his bank. The audience member is told to show on the vault's mechanical system, that sucks up a palette of Euros; a couple of seconds later, the bills rain over the audience. the gang goes wild.
The next day, the magicians ar brought sure questioning by the FBI; it looks the audience member's bank has been robbed, and a prop utilized in the magic act has been found at the scene. Soon, the magicians ar being investigated by a ugly agent (Mark Ruffalo) Associate in Nursingd an Interpol detective (Mélanie Laurent); they grasp the Four Horsemen ar concerned within the crime, however cannot understand however.
Also on the Four Horsemen's path could be a self-satisfied ex-magician (Morgan Freeman) WHO has created a fortune revealing the secrets behind well-known illusions. citizen will build the clunkiest exposition sound smart (see: Christopher Nolan's attendant movies, or the recent "Oblivion"); for the foremost half, that is what he is here to try to to. Turning citizen into the movie's factual on-camera utterer is "Now You See Me"'s neatest trick, particularly since abundant of the movie's third act revolves around tweaking his omniscient screen persona.
There is, of course, rationalization|an evidence|a proof} for the heist — and it's not "magic" — however aforesaid explanation does not such a lot strain credibleness as negate it. "Now You See Me" is with pride outlandish; the Four Horsemen's ways — that involve large mirrors, doubles, hypnosis, copious amounts of flash paper, and, uh, holograms — ar as logic-defying as their tricks. Had the show finished by merely revealing that the four were wizards, it might be additional plausible.
That, however, would not be as fun. abundant of what makes "Now You See Me" thus fun — during a gaudy, disposable, Vegas act form of means — is its ever-escalating absurdness. when the bank job, the Four Horsemen persist a series on ever-more-complicated heists, that flip them into fugitives and people heroes. The movie, that began as "just" a bank-robbing magician story, eventually becomes a narrative Reuben Lucius Goldberg contraption; conspiracies, secret identities, decades-old vendettas, and occult brotherhoods ar concerned.
The last half of the show is effectively one long, prolonged chase, with Ruffalo and Laurent invariably a couple of steps behind the Four Horsemen. It's here that Leterrier looks to actually be in his element; a protracted fight scene wherever full general fends off law enforcement agency agents victimisation throwing cards and sleight-of-hand tricks is as flower and kinetic as something in "The Transporter."
Like the EuropaCorp movies that started Leterrier's career, "Now You See Me" emphasizes photography over concerning everything else, together with narrative sense. Unusually, it's 2 administrators of photography, each of whom ar specialists in flashy, special-effects-ready extravagance: Mitchell Roald Amundsen ("Transformers," "Wanted") and Larry Fong ("Super eight," additionally because the Zack Snyder movies "300," "Watchmen" and "Sucker Punch").
Just as unco — a minimum of for Associate in Nursing effects-heavy production — it's shot on celluloid with anamorphic lenses. this provides the show a retro visual texture and a additional classical sense of widescreen space; the trade-off is that the digital effects look less convincing than they'd during a digitally-shot show. However, during a film wherever nothing is meant to be credible, mediocre CGI looks acceptable. It’s not meant to appear realistic, thus why ought to it look real?
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